Imagine 10 Houses a Week
Imagine this for a second.
Ten houses a week.
Not someday. Not hypothetically. Just as a simple, steady rhythm of work.
In real estate photography, beginners often focus on the wrong milestone. They chase the idea of “making six figures” or “building a huge company,” which feels distant, abstract, and honestly… overwhelming.
But volume is where the math becomes surprisingly simple.
Ten houses a week isn’t a fantasy number. In many markets, it’s a very normal workload. And when you actually break it down, something interesting happens — the goal suddenly feels tangible instead of intimidating.
Let’s stay conservative.
If your average shoot is $150…
Ten houses a week = $1,500 per week
That’s roughly $6,000 per month
That’s over $70,000 per year
And that’s without luxury listings. Without massive teams. Without anything extraordinary.
Just consistent, repeatable work.
This is the part most people miss.
Real estate photography is not a “home run” industry.
It’s a consistency industry.
You’re not relying on rare, high-ticket projects. You’re building predictable income from repeatable services. One shoot rarely changes your life — but steady volume absolutely can.
And the workload itself often surprises people.
Ten houses per week typically looks like:
Two shoots per weekday
Or a slightly heavier mix across fewer days
Shoots are short. Efficient. Structured. Once your workflow is dialed in, a single property might only require 30–60 minutes on-site.
This isn’t wedding photography chaos.
It isn’t commercial production stress.
It’s process-driven work.
More importantly, ten houses a week isn’t just about income.
It’s about stability.
Predictable scheduling.
Predictable editing.
Predictable revenue patterns.
Which is exactly what many creatives struggle to find in other industries.
Beginners tend to imagine success as dramatic — huge clients, viral growth, overnight breakthroughs.
But in real estate photography, success often looks quieter.
It looks like momentum.
A few agents turn into repeat agents.
Repeat agents turn into steady bookings.
Steady bookings turn into reliable weekly volume.
And suddenly, a number that once sounded massive becomes your baseline.
Ten houses a week isn’t an extreme scenario.
It’s simply what happens when your business stops being an experiment and starts becoming a system.
And that shift is far more attainable than most people realize.
So many people are interested in real estate photography but don’t know where to start —
When I first tried to learn, I kept quitting because nothing was clicking. Once I had proper training, everything finally made sense. That experience is what led me to create this guide.
Not everyone can invest in mentorship, so I took everything I learned and broke it down into a simple, affordable Canva presentation. It’s designed to show you exactly what to do, step by step, so you can understand the skill, feel confident, and start booking clients as quickly as possible.
So many people are interested in real estate photography but don’t know where to start —
What other people have said about the guide:
✩ Easy to follow along
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✩ The guide didn’t overwhelm me with jargon or unnecessary details, just straightforward, practical information.
✩ This guide was really affordable and super valuable. After reading through it, I felt ready to jump right into real estate photography with the knowledge I needed.
✩ Anyone that wants to take themselves seriously as a real estate photographer shouldn't hesitate to invest in their business with this guide!
✩ This guide has been SO helpful in learning the ins and outs of real estate photography! It’s a great investment for what’s inside. This guide simplified some things that I thought would be complicated.